Is your brand preparing to shine at an upcoming Expo?

Despite the Covid-19 emergency still ongoing in the world, from November 5th to November 10th, the third edition of the China International Import Expo (CIIE) was held in Shanghai. As China is now driving its post-pandemic recovery, the Expo was held as planned with local authorities taking a slew of anti-epidemic measures to ensure the safety of attendees. The trade fair featuring exhibitions of multiple countries and businesses held annually was one of the biggest and most important commercial events in China. Working in the corporate communications team, I am actually not an expert at exhibitions and trade shows. So this is not a guide but more like a reflection after participating in this national event for the second time. Below are some of my key takeaways:

Set clear and trackable KPI

For big event and trade fair, company senior leaders always have their expectations, it’s critical that marketers and communicators engage internal key stakeholders to align clear KPIs beforehand. Someone may raise questions on set tangible KPIs, as they may find it challenging to align a target that key business leaders will buy in. I would recommend a CRM mechanism to capture contact details and track leads conversions with revenue generation if possible. Making it visible as part of the key achievements of the wrap-up report will be a good idea. 

Booth design, social currency and it’s not only about the booth

With “self-sharing”mindset and popularity of selfie on social media, people intend to share things they experience which make them look good and smart(Berger, 2013). It’s always beneficial to consider how to give the social currency to people and make them as an insider to be cool. There are many cases I saw with fabulous look and feel and interactive  design in the recent expo, which made people post their photos and talk about the brand on social media. 

While having a branded, unique, and eye-catching exhibition space is essential, it’s not only about the design that makes yourself stand out among a crowd. It’s the key concept and strategy informed by the brand value proposition that is going to make everything unique. The key concept will need to guide everything including the look and feel, messaging, promotional material, etc. 

Brand ambassadors

Engage key stakeholders (industry KOLs, social KOLs and senior business leaders) as your brand ambassadors is the key. They are the key person to be leveraged as “chief Communications Officer” of the brand and to maximize media exposure during the event. I think it’s critical to bring them in front of the media to talk about your products, insights and business that is aligned with brand strategy and poisoning. External KOLs endorsement carries strong weight. 

Marketing your marketing projects

Putting together nice and clear wrap-up reports and presentations to demonstrate key achievements means a lot to the success of the whole project. It’s also a smart approach to have various reports tailor-made with different formats and content to meet the needs of engaging different stakeholders. 

Berger, J. (2013). Contagious : why things catch on (1st Simon & Schuster hardcover ed.). Simon & Schuster.

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What the Fleet?

Today, Twitter launched the newest enhancement to its platform called Fleet. Fleet allows Twitter users to post content in a similar manner as created by Snapchat, which now has been recreated across Instagram Stories, Facebook Stories, and, most recently, LinkedIn.

According to Twitter, this new functionality will enable users to share content users may not typically share since Fleet content only lasts on Twitter for 24 hours (Harris & Haveson, 2020). The company’s research had shown users were more inclined to partake in a conversation on social media platforms through ephemeral venues (Harris & Haveson, 2020). Like preceding Stories on other social media sites, Fleets content can be video, image, or text-based, or, share a reaction to a Tweet (Harris & Haveson, 2020). Additionally, Fleet posts can be customized with background colors (Harris & Haveson, 2020). Live features and GIPHY stickers are to follow (Harris & Haveson, 2020). Fleets can be accessed and viewed at the top of users’ home feed (Harris & Haveson, 2020).

https://twitter.com/Twitter/status/1328684389388185600?ref_src=twsrc%5Etfw

How did social media industry experts receive this?

What are some tips for using Fleet?

Try it while it’s hot!

Consider accessibility.

Meanwhile, ironically, the rest of Twitter reminisced about MySpace. MySpace, an influential social media platform during its heyday in the early 2000s, is listed as a trending topic over Fleet.

What do you think of the ever-evolving social media landscape? Do you like the continual change or do you miss simpler times?

References

Harris, J. & Haveson, S. (2020, November 17). Fleets: a new way to join the conversation. Retrieved from https://blog.twitter.com/en_us/topics/product/2020/introducing-fleets-new-way-to-join-the-conversation.html

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Is This COVID Deja Vu? What Is Happening!

2020 has proven to be an interesting year. The halt of international travel, national shutdowns globally, empty grocery store shelves, and the lack of paper goods are minor inconveniences that we can tie back to COVID. However smaller, local businesses have been hit hard and are looking to survive the pandemic.

For many small business owners, COVID has dramatically impacted their ability to stay afloat. In a survey conducted by Alignable, 42% were concerned about possibly closing their doors in the fourth quarter (2020, Lahart). As counties tighten and citizens choose to stay home, where does that leave small business owners?

For Mary Contreras, it is all too real. Her concerns have escalated after her county announced the return to tighter restrictions due to a statewide surge in coronavirus cases. As a small business owner, she must face the hard facts of whether she will be able to keep her business open while meeting the state’s mandates through COVID.

In terms of things that small businesses are doing, Derrick Fadden, a web designer at SDA Creative, shared some of the key trends he has seen at this agency. “We’ve seen an uptick with respect to small businesses looking to use the web to amplify their business. Mostly because many small businesses are realizing that having a website isn’t enough anymore,” said Fadden. Interestingly, this is quite different from a few years back. Previously, to legitimize your business in the eyes of your consumers, you needed a website. Fadden explains further:

“E-commerce has really exploded. Many companies are looking to online ordering as a way to stay connected to their consumers during COVID. It helps maintain sales interaction between your customers and your company, and allows them to come to you.”

Derrick Fadden
Web Designer, SDA Creative
Pink, the little flower shop, uses its web presence as a way
to encourage sales during COVID.

As consumers, we all can play a role in helping the economy by focusing on small businesses in your community. Local businesses contribute to a feeling of uniqueness of the local town or city. They also have a stake in wanting a neighborhood or city to do well. Many of these local stores also provide jobs within the city and help contribute to the community as well.

This holiday season, before turning to your larger corporate stores, please take a look at local stores in your area and support small businesses.

Lahart, J. (2020, October 9) Covid Is Crushing Small Businesses. That’s Bad News for American Innovation. The Wall Street Journal. Retrieved from https://www.wsj.com/articles/covid-is-crushing-small-businesses-thats-bad-news-for-american-innovation-11602235804

Kerr, R. (2020, March 24) How you can help small businesses during COVID-19. The Points Guy. Retrieved from https://thepointsguy.com/news/how-you-can-help-small-businesses-during-covid-19/ 

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Making Unmentionables, Mentionable

Creative agencies are tasked on a regular basis with crafting advertising for products that people would rather not talk about. Everything from tampons to adult diapers, STDs to erectile dysfunction, as marketing professionals it is our job to find decent, memorable ways to discuss the tough stuff. Donald Miller’s Building a StoryBrand (2017) claims the reason consumers choose to buy from brands is because they have given them a clear solution to an everyday or surprise issue that has interrupted their status-quo (p. 31). This had me thinking about how some creatives make unmentionable products and services into mentionable, recallable and down-right appealing marketing materials all thanks to a story.

Suffering from an itchy bum? https://www.ispot.tv/ad/nSXy/charmin-ultra-strong-itch-scratchy#

Although Miller (2017) explains that you don’t always have to use a silly character to get your point across, sometimes, like in the case of Charmin, animated characters can help tell the story more directly. Charmin’s agency has developed a wonderful cast of cartoon characters that are just human enough to tackle tough issues, like an itchy butthole and singing about “oh yeah my hiney’s clean”, without having to black bar any unsightly scenes or bleep out any offensive copy. To Miller’s (2017) point, the more we talk about the problems our customers face (the REAL problems), the more likely they are to believe in the brand.

Trying to combat the inevitable deluge from your period? https://www.ispot.tv/ad/td_0/always-what-the-gush-moments

In Jonah Berger’s Contagious (2013), he posits that stories are one of the principles that drive things to resonate with consumers. This Always commercial blatantly addresses one of a woman’s worst experiences during her monthly cycle in a direct, easy to understand way that is not only vivid but also quite engaging making it a poster example of how a story can be utilized to sell and stick (Berger, 2013).

Concerned about the crooked shape of your pecker? https://www.youtube.com/watch?v=fryBnFSYlLw

Saving the best for last, pharmaceutical commercials have a history (seriously watch any 3 pharma commercials and I guarantee you that 2 out of 3 will) of delivering their marketing messages through stories. As Miller (2017) asserted that his BrandScript is the ultimate template, this Xiaflex commercial is no exception. A character (color coordinated men) encounters a problem (suddenly crooked genitalia) when a guide (an informative vegetable voice over) offers a plan (consult with your urologist with your vegetable of choice) and calls them to action (buy Xiaflex!) to help avoid failure (disease!) and ends in success (a normal shaped gent and a happy life).

Even after all that is said, I can’t help but wonder if the truly difficult feat for us advertising professionals is to make ordinary, everyday items memorable or approach those that are considered unmentionable into mentionable? The jury is out.  

Berger, J. (2013). Contagious; Why Things Catch On. Simon & Schuster. New York, NY.

Miller, D. (2017). Building a StoryBrand; Clarify your message so customers will listen. Harper Collins. Nashville, TN.

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Virtual Reality, the “Could Have Been” Solution to the New Normal

Source: https://www.cobizmag.com/how-virtual-reality-can-wow-your-clients/

It has been about 8 months into the lockdown of the pandemic in the United States. Many businesses have come to accept the pandemic as the new normal and find ways to save money with the companies slowing down, including saving on real estate, turning employees to either partial hoteling or full-time remote working. This has a direct reflection on the local businesses that are publicly open. With city mandates that are everchanging, people are heralded as heroes by staying home and minimizing most social and public activities.

Source: https://twitter.com/stephenszczerba/status/1241890036032901122

Previously, being able to work remote was a perk that some works offered. However, people are working remotely not as a digital workplace transformation of a greater project pushed out by the CTO, but only due to the pandemic. Those affected not only had any choice in this decision, but the pandemic also extends to life outside of work, which is why people feel locked up in their homes. It is emotionally draining and being in isolation that starts as weeks to months, and now to year, people are showing symptoms of claustrophobia, anxiety, and depression (Gupta, 2020). 

There is a small sector in the gaming industry called VR, or Virtual Reality, where there are several mediums such as Facebook’s standalone Quest 2 or HTC’s Vive Cosmos that requires a PC and wire connection, that can be utilized to let users access a whole new world. Beyond gaming aspects of VR, there are apps where a user can do various activities, such as attending virtual concerts, movie theaters, or hanging out with others in a virtual location of choice. Virtual reality location could be a lovely beach with a sunset, an urban penthouse with a beautiful evening city view, a baseball field to practice swinging the bat, or a bowling alley without the worry of being contaminated. There are exercise and meditation applications that use pictures taken from all around the world (even Mars!), traveling applications that took 360-degree videos of challenging travel locations such as Nigeria, or popular tourist locations like Paris and Moscow. It is an escape from quarantine into a virtual reality that introduces the users to a new frontier, being in places where they only dreamed of, and interacting with others live-time than mere virtual happy hours over Zoom, a depressing reminder in itself. 

The technology is here. The pricing point has come down significantly, where it is no more expensive than a typical gaming system ($299 for Oculus Quest 2), and it is widely available. Yet, not many have heard much about it. By looking into the number of followers of popular VR channels on YouTube, it shies several ten-thousands from 200,000, showing that the VR community is relatively small compared to how long the technology has been out and evolved. Some companies solely focus on taking advantage of marketing communications through VR, such as an online travel agency VResorts, creating virtual tours of hotels and resorts that users may use to have a 360-degree experience as if they were there checking out the property. Bigscreen is another VR company that lets users hang out with their friends, attend live events, and watch movies together (Skinner, 2020). 

Source: https://www.youtube.com/watch?v=-SQUNr9CoEQ

In 2019, a whopping $19 billion was spent on virtual and augmented reality products, focused on educational, healthcare, and automotive industries (Skinner, 2020). One company views by 2030 that nearly 23.5 million jobs will be done in virtual or augmented reality, composed of jobs like customer service to having work meetings and training (Skinner, 2020). The line is becoming thinner, where reality is starting to blur into virtual reality. Real estate companies, such as RedFin, are now providing a 3D rendering of the homes’ external and internal layouts, offering a much more authentic and pleasurable experience as if you called to check out the house in-person. Ecommerce, also known as online shopping, is now available where companies like Obsess are developing virtual stores enabling users to have the same experience as if users were in the store, looking at products on shelves. 

Source: https://www.youtube.com/watch?v=0JD6F9XYrMQ&feature=emb_logo

The question remains as to why there is no stronger marketing communication push for these virtual reality systems. There are positive testimonies of users in hospitals that encouraged VR solutions to get through the pandemic. Companies like Facebook that look to dominating the VR market should have presented the pandemic quarantine survival issue and tie it with virtual reality as a solution. Even Facebook’s Reality Labs consulting CTO John Carmack states he’s “kind of embarrassed” Facebook’s lack of ownership in creating social apps that can be vital for families and friends, which were picked up by third parties (Feltham, 2020). Vaccines were announced not too long ago, yet looks like another good minimum 6-months before COVID is no longer a threat to the population. There still are ample opportunities to market VR as one of many solutions coping with the baggage that the isolations bring. 

References:

Feltham, J. (2020, September 19). John Carmack says he’s ‘kind of embarrassed’ over Facebook’s social VR during pandemic. VentureBeat. Retrieved from https://venturebeat.com/2020/10/26/5g-and-edge-computing-help-retailers-work-smarter-behind-the-scenes/

Gupta, A. (2020, March 16). COVID-19 lockdown guide: How to manage anxiety and isolation during quarantine. ADAA. Retrieved from https://adaa.org/learn-from-us/from-the-experts/blog-posts/consumer/covid-19-lockdown-guide-how-manage-anxiety-and

Skinner, O. (2020, September 3). Virtual Reality in 2020: How life went virtual during the pandemic. Voices Inc. Retrieved from https://www.voices.com/blog/virtual-reality-pandemic/

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WFH 2.0: Are hotels the new offices?

Covid-19: the virus is escalating, large group gatherings are discouraged and hotels are now…the new office? Undeniably, the work from home trend has transformed the way we do business, juggle our work-home life balance and forced many companies to completely re-vamp their business model and marketing to compete in a world where we can’t go out and do business as usual. Enter WFH 2.0: Work from Hotel.

Subject: A tired and exhausted young woman business traveler working late in hotel room, with her laptop computer, document and paperwork, angrily throwing paper into the air.

Hotels have pivoted in a way that was unexpected: created a perk system for loyal members and consumers to utilize their rooms and services at a discounted rate as an office (Villano, 2020).

Pre-Covid times, employees who are successful at work from home have more independence in schedules (Rupietta & Beckmann, 2018), have higher intrinsic motivation to work more (Ryan & Deci, 2000) and higher output as a result (Rupietta & Beckmann, 2018). However, it’s not always as easy as it sounds. Knowing the common distractions, it is a brilliant move that hotels had the foresight to start to offer their spaces as an office away from home to mitigate the interruptions from kids, cooking, TV, errands, and general home chores. Working from a hotel room offers perks such as a private bathroom; in an office, you typically share a bathroom. There is also the major added perk of peace, quiet and cleanliness away from the stresses of home.

Several big names such as Marriott and Hilton have rolled out programs to offer a space for the day without having to spend the night (Barwick, 2020). Workspaces by Hilton offers a room, desk and internet for the entire day at a special rate, usually about half the rate of a normal night’s rate. Taking this a step further, they offer “play passes” where the worker can bring their family to use the amenities while they stay in the room and work, a staycation of sorts (Villano, 2020).

Understanding the opportunity to keep revenue coming in during a time when travel is essentially on a big pause, major hotel chains that take on this new business trend use loyalty programs, customer databases and partnerships with airlines to generate this new “work from hotel” income stream. Marriott International’s CEO Arne Sorenson mentions in their Q3 2020 earnings that there is increasing demand in this style of stay. For example, in Q3 residency in the US was up 37%, almost double the occupancy in Q2, after they started rolling out the programs.

Still, incomes for hotels are significantly lower with Marriott reporting $252 million in Q3 2020 as opposed to $607 million in Q3 2019. Embracing this new style of “WFH 2.0” might just be the catalyst to introduce the new office: your local hotel.

References:
Barwick, R. (2020, Oct 27). Marriott uses loyalty program to roll our new work from anywhere program. AdWeek. Retrieved from https://www.adweek.com/brand-marketing/marriott-loyalty-program-new-work-from-anywhere-program/

Ryan, R., & Deci, E. (2000). Intrinsic and extrinsic motivations: Classic definitions and new
directions. Contemporary Educational Psychology, 25, 54-67.

Rupietta, K., & Beckmann, M. (2018). Working from home: What is the effect on employees’
effort? Schmalenbach Business Review, 70(1), 25–55. https://doi.org/10.1007/s41464-
017-0043-x

Villano, M. (2020, Jul 23). Sick of working from home? Work at a hotel instead. CNN. Retrieved from https://www.cnn.com/travel/article/work-remote-hotel-room-covid-19/index.html

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Tis the Season: 2020 edition

Holiday gatherings will be different this year. As with all things being cancelled by 2020, it looks like the traditional American holidays of Thanksgiving and Christmas could be next to feel 2020’s cold death grip. The surge of COVID-19 cases in the U.S. has prompted some states and local governments to begin reenforcing lock down measures. States such as New York and California have issued travel advisories for Thanksgiving, advising residents that if they travel out of state, they should quarantine for two weeks when they return. 

This puts brands in a tough position. While normally, Holiday messaging would be in full force including images of family gathers, catching up with friends, vacations and shopping sprees, all of those seem rather difficult with the current pandemic. As such, brands will need to find that happy medium: sending it’s Holiday message, while also reenforcing social distancing guidelines. 

For many brands, the holidays always meant different messaging but was always related to the season, this helped ensure the brand stayed relevant during this time when consumers have minds elsewhere. For 2020, that messaging will need to be tweaked as a quarantine-fatigued nation braces for a tough winter. Additionally, brands will also need to apply some PR to their holiday messages (Watson, 2020). If you just laid off or furloughed large amounts of people, you may want to keep your advertising more subdued instead of large and glitzy this season. Some could argue that the millions spent on the advertising could have saved some jobs. 

However, if your brand is in the position to advertise this holiday season, many experts state that brands should acknowledge the pandemic, but not make this “Covid-19 Christmas” (Watson, 2020). Instead, it should focus on the feelings the holidays can bring: joy, hope, and excitement. Though brands may want to consider images of smaller family gatherings, the images of children opening presents on Christmas morning will bring many smiling faces. 

According to Watson (2020), brands should also consider tapping into their humor side for this year’s advertising. Surveys indicate that consumers are facing COVID-19 fatigue and humor has shown as a great way to temporarily forget the stresses of the world. Watson (2020) points out this advertisement from UK retailer TK Maxx as a great way to weave in humor, while acknowledging the pandemic, that drives consumers to purchase from their store.

Video: https://www.youtube.com/watch?v=MgIigoL1Lro

Finally, brands should feel comfortable beginning their holiday messaging now, if they haven’t already done so. A recent report revealed that this year, Americans are expected to decorate their homes for Christmas a lot earlier than usual (Quillen, 2020). The study reveals that Americans report a higher sense of happiness when their homes are decorated for Christmas and when they see Christmas decorations (Quillen, 2020). As such, many have indicated that they will decorate early this year, to bring some happiness in a troubled year. The challenges of 2021 are already starting to shape up. However, before they arrive, the country – and the world – should have a moment to pause, enjoy some holiday cheer, before jumping back into meeting these challenges. 

References: 

Quillen, A. (2020). North Texans decorating earlier for Christmas because, 2020. NBC DFW. Retrieved from: https://www.nbcdfw.com/entertainment/holidays/north-texans-decorating-earlier-for-christmas-this-year-because-2020/2479510/

Watson, I. (2020). Christmas ads 2020: will brand stick with the sparkle or will covid-19 dampen spirits. The Drum. Retrieved from: https://www.thedrum.com/news/2020/11/05/christmas-ads-2020-will-brands-stick-with-the-sparkle-or-will-covid-19-dampen

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No Time To Die

The James Bond film franchise has captivated men and women’s imagination (from all walks of life, ethnicity, and creeds) for decades.

Ian Fleming, the novelist who penned the original book series, intertwined both fact and fiction from his life as a naval intelligence officer in the British Navy throughout each story. Some of the more famous actors who have assumed the film roles of British Secret service spy 007 over the years range from today’s Daniel Craig to yesterday’s Pierce Brosnan, Roger Moore, and the recently deceased Scottish acting icon Sean Connery.

The Bond franchise is not a stranger to controversy and speculation over Lashana Lynch, the British female actor of Jamaican descent assuming future 007 roles will not disappoint. Furthermore, for some, this news, coupled with the film’s release postponement (due to the pandemic), is taking its toll.

Like most industries, the movie business has also been devastated by COVID-19. Unicorns like Netflix are attempting to do their part to help out-of-work creatives through a $100M fund. Also, Sean Parker, serial entrepreneur and co-founder of the former streaming service Napster created Screening Room to help both consumers watch new releases at home and split the revenue with theater chains bypassed in this model.

No Time to Die is the 25th Bond film and scheduled to be Daniel Craig’s last in the 007 roles. The film is trending to be the most costly of the entire franchise marked by product placements from brands such as Aston Martin, Omega, Adidas, and Heineken.

To protect ticket sales and project profitability, the film`s release date will now not occur until next year, and stakeholders on all sides are not happy.

From an integrated marketing communication standpoint, is it practical to pause the momentum of the film`s PR due to the pandemic? Also, based on the controversy surrounding the film is it safe to assume that communications to all stakeholders have been sufficient to this point? Finally, as a communications professional, would you have advised otherwise or taken a different direction than postponing the release date?

Once again, admiral Bond is in a sticky conundrum that many are excited to see play out (on and off-screen). The suspense is nearly paralyzing but it’s certainly No Time to Die.

References:

Collins, C. (2020). Top Brand Partnerships With James Bond: No Time To Die. Retrieved November 10, 2020, from https://blog.hollywoodbranded.com/top-brand-partnerships-with-james-bond-no-time-to-die

Crumlish, C. (2020, November 08). James Bond: New 007 Lashana Lynch opens up, taking over role in ‘revolutionary’ move. Retrieved November 10, 2020, from https://www.express.co.uk/entertainment/films/1357682/james-bond-no-time-to-die-new-007-lashana-lynch-daniel-craig-tom-hardy

FAUGHNDER, R. (2020, April 13). Amid coronavirus theater closures, Sean Parker’s controversial Screening Room returns, sort of. Retrieved November 10, 2020, from https://www.latimes.com/entertainment-arts/business/story/2020-04-13/amid-the-coronavirus-crisis-sean-parkers-controversial-screening-room-stages-a-comeback

Lang, B. (2020, October 30). Breaking Down MGM’s Costly ‘No Time to Die’ Dilemma. Retrieved November 10, 2020, from https://variety.com/2020/film/news/no-time-to-die-james-bond-mgm-streaming-sale-1234819582/

NETFLIX AND AUDIENS ESTABLISH NEW COVID-19 FILM AND TV EMERGENCY FUND FOR HARDEST HIT WORKERS IN THE AUDIOVISUAL AND MOVIE SECTOR. (2020). Retrieved November 10, 2020, from https://about.netflix.com/en/news/netflix-and-audiens-establish-new-covid-19-film-and-tv-emergency-fund

Nugent, A. (2020, October 06). Daniel Craig defends the decision to delay the release of ‘No Time to Die’. Retrieved November 10, 2020, from https://www.independent.co.uk/arts-entertainment/films/news/no-time-die-james-bond-daniel-craig-delay-release-cineworld-007-b830243.html

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How Effective Are Television (TV) Advertisements in 2020?

More effective than most would think for an Internet age. Effective TV ads not only include cable and dish subscribers—they now include streaming service subscribers—such as “Roku and Amazon Fire TV” (Bruell, 2019, para. 3). The latter group is only growing at the moment; not declining.

Since the first TV ad in the 1940s, viewers have been persuaded, powerfully, to make buying decisions based on what they see and hear (Choi, 2016). These sights and sounds often can move a viewer, emotionally, to adopt a puppy from a shelter (see image above), for example. Some of these TV ads effect what kind of food consumers will eat the day the ad is watched; whereas, other ads are linked to the kinds of clothes consumers will wear or purchase for a friend or family member. Whether viewers are watching news, a mystery, a drama, or any other genre that interests them, the vast majority are still likely to view a TV ad, like it or not. In “2018, the US had 304.5 million television viewers”, indicating an increase of approximately five million viewers from 2017 (Shanet, 2019, para. 4). Estimates indicate that TV advertising in the US, alone, will exceed $70 billion in 2022, an omen that traditional TV advertising is not going anywhere for the next couple of years, at least, and is certainly still effective (Guttmann, 2019).

One group that fuels traditional TV advertising ratings are persons who are retired, generally aged 65 and older. Nevertheless, there is also an increase in TV watching, overall, within the family (including children and teenagers and parents in their 20s and 30s), especially in light of the international COVID-19 pandemic. The latter group is also more inclined to have subscriptions to traditional TV and streaming services.

While more big companies have geared their advertising efforts toward social media users than ever before, many realize the revenue return they receive from traditional and new TV viewers; this return is largely based on the trust viewers have built over the years they have watched TV. Yes, cable and dish subscribers are declining compared to years past, along with TV viewers, in general. However, TV ads remain a powerful tool to reach consumers, individually and collectively, and big companies are well aware of this. For years to come, TV ads will still be fueling the revenue of big companies that sponsor related content.

References
Bruell, A. (2019, June 16). Targeted TV advertising is taking off. The Wall Street Journal. Retrieved from https://www.wsj.com/articles/targeted-tv-advertising-is-taking-off-11560707549
Choi, D. (2016). The first television commercial ever aired 75 years ago today. Retrieved from https://www.businessinsider.com/first-television-commercial-ever-2016-6#:~:text=The%20first%20television%20commercial%20ever%20aired%2075%20years%20ago%20today&text=On%20July%201%2C%201941%2C%20at,baseball%20game%20and%20cost%20%249.
Guttmann, A. (2019). U.S. TV advertising – statistics & facts. Retrieved from https://www.statista.com/topics/5052/television-advertising-in-the-us/
Shanet, L. (2019). Why do big companies still advertise on TV instead of social media? Retrieved from https://www.forbes.com/sites/quora/2019/03/01/why-do-big-companies-still-advertise-on-tv-instead-of-social-media/?sh=7eb3b242dd41

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Black Friday is Now Black November: The Make or Break for Businesses

newegg.com

The long-lasting effects of COVID-19 to businesses are evident this year. Many businesses have already closed down or are in the process of doing so.

Those who have been able to hang on to their businesses during this time are relying heavily on November Sales to determine the future of their businesses.

Prior to this year, Black Friday has shown a pattern of drawing out longer than the Friday itself and extending out into a weekend or week. This year, the holiday sales events extend throughout the month of November (govtech 2020).

Stores such as Walmart are changing up the style of their sale entirely. As opposed to a single-day event, they are planning on “three separate events held over two weeks leading up to the official day.” CNN reports. And stores like Target intend to offer their deals sooner rather than later and have them rolling in until around the Christmas Season.

While not every company is on the level that bigger brands such as Target and Walmart are on, they still have a chance to regain some traction for their brand and undo some of the financial damage that has been done thanks to COVID-19. Govtech emphasizes the following:

Many stores realize people aren’t willing to risk increasing their exposure to the coronavirus for a cheap TV, so they’re putting their Black Friday deals online early. 

Govtech

E-commerce stores are likely to have the biggest positive results during this season. This implies the best bet for all stores big or small, is to get their online websites organized, start the proper advertising on Social Media platforms, and continue to positively push their business and it’s sales, all throughout the month of November into December holiday season.

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